Ancillary Feeling
Introduction
The concept of “Ancillary Feeling” is a significant contribution to the field of aesthetics, particularly within the context of Indian aesthetic theory. The term refers to secondary or supporting emotions that accompany the main aesthetic emotion (rasa) in a dramatic or literary presentation.
Meaning and Role
Ancillary feelings, also known as “Vyabhichari Bhavas” or transitory emotions, are fleeting mental states that enhance the main aesthetic experience. For instance, in a tragic play that primarily evokes Karuna Rasa (the emotion of sorrow), ancillary feelings like anxiety, hope, or despair may briefly appear to intensify the overall impact.
Function in Rasa Theory
According to Bharata’s Natya Shastra and later commentators like Abhinavagupta, these transient emotions support the primary emotion by adding depth and variation. They do not distract but enrich the aesthetic effect, making the emotional journey more relatable and dynamic for the audience.
Conclusion
Ancillary feelings are vital in creating a rich, layered emotional experience in art and performance. They function like musical notes that accompany the main melody, helping the Sahrdaya (sensitive audience) fully immerse in the aesthetic emotion.