Sahrdaya Sahrdaya is a central concept in Indian aesthetics, especially in the theory of Rasa. The term literally means “one with a similar heart” or “one who shares the artist’s sensibility.” A sahrdaya is an ideal art appreciator who can emotionally and intellectually connect with the artistic expression, grasp its subtle meanings, and experience the […]
Imagination Imagination is a central concept in both aesthetics and philosophy, referring to the mental ability to form images, ideas, and sensations that are not immediately derived from the senses. In the context of art, imagination is the creative force that allows artists to go beyond mere reality and generate new forms, symbols, and emotional
Ancillary Feeling Ancillary feeling refers to supporting emotions that assist in the experience of the main emotion or aesthetic rasa in Indian aesthetics. These feelings do not independently generate rasa, but they enrich and deepen the overall emotional impact of an artistic performance or literary work. In the context of Bharata’s Natya Shastra and Rasa
Write a Note on the Doctrine of Sadharanikarana Introduction The doctrine of Sadharanikarana is a foundational concept in Indian aesthetics, especially within the context of Rasa theory. It explains how the emotions portrayed in art become universally experienced by the audience, detached from their individual context and relatable to all. Meaning of Sadharanikarana Sadharanikarana means
Write a note on the doctrine of Sadharanikarana. Read More »
Examine the Concept of Rasotpattivada Introduction Rasotpattivada is a term from Indian aesthetics that refers to the theory of the generation (utpatti) of rasa — the aesthetic flavor or emotional essence experienced through art. This concept has been central to debates among scholars and philosophers about how exactly the rasa experience is created in the
Examine the concept of Rasotpattivada. Read More »
Explain the Concept of ‘Aesthetic Recipient’ Introduction The concept of the “aesthetic recipient” refers to the individual who engages with a work of art and experiences its aesthetic value. In both Indian and Western aesthetic traditions, the role of the recipient is essential in the realization of the artistic experience. The recipient is not merely
Explain the concept of ‘aesthetic recipient’. Read More »
Write a Note on Bhava Introduction In Indian aesthetics, particularly within the Rasa theory, Bhava plays a critical role. Bhava refers to the emotions or mental states portrayed in a work of art or performance. It serves as the foundational element that leads to the realization of Rasa — the aesthetic experience. Bhavas are the
Write a note on Bhava. Read More »
Discuss M. Hiriyanna’s View on Art Experience Introduction M. Hiriyanna, a renowned Indian philosopher and aesthetician, made significant contributions to the understanding of Indian aesthetics. His interpretation of art experience combines the principles of classical Indian thought with modern philosophical clarity. For Hiriyanna, art is not merely entertainment or a craft, but a profound experience
Discuss M Hiriyanna’s view on Art Experience. Read More »
Compare Utpattivada and Bhuktivada about Rasa Introduction Rasa theory is a fundamental part of Indian aesthetics, explaining the aesthetic flavor or emotional experience derived from art. Two prominent schools within this theory are Utpattivada and Bhuktivada, which differ in their understanding of how rasa is generated and experienced. Utpattivada (Theory of Generation) Propounded by Bhatta
Compare Utpattivada and Bhuktivada about Rasa. Read More »
Explain the Concept of Dhvani as an Explanation of the Mode of Communication of the Emotional Content of the Poem Introduction In Indian literary aesthetics, the concept of Dhvani plays a central role in understanding how poetry communicates its deeper emotional and aesthetic meanings. Developed by the scholar Anandavardhana in his seminal work Dhvanyaloka, Dhvani
Disabled !
