Sringara Rasa Introduction Sringara Rasa is considered the king of all rasas (aesthetic flavors) in Indian classical aesthetics. It primarily relates to love and beauty and is associated with emotional experiences of romance, charm, attraction, and devotion. Types and Elements Sringara is divided into two types: Vipralambha Sringara (love in separation) and Sambhoga Sringara (love […]
Citraturaganyaya Introduction The term Citraturaganyaya is a Sanskrit expression meaning “the maxim of the painted horse.” It is used as a metaphor in Indian aesthetics and logic to describe something that appears real but lacks actual substance or utility. Explanation and Usage Citraturaga literally refers to a horse painted in a picture. While the image
Ancillary Feeling Introduction The concept of “Ancillary Feeling” is a significant contribution to the field of aesthetics, particularly within the context of Indian aesthetic theory. The term refers to secondary or supporting emotions that accompany the main aesthetic emotion (rasa) in a dramatic or literary presentation. Meaning and Role Ancillary feelings, also known as “Vyabhichari
Sahrdaya Introduction In Indian aesthetics, particularly in the theory of Rasa (aesthetic flavor), the concept of Sahrdaya plays a crucial role. The term ‘Sahrdaya’ literally means ‘of the same heart’ and refers to a sensitive and cultured audience member who is capable of fully experiencing the aesthetic essence of an artwork or performance. Meaning and
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