MPYE-011 Philosophy of Art (Aesthetics)

Compare Intuitionist Theory of Art and Content Theory of Art

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Compare Intuitionist Theory of Art and Content Theory of Art Introduction Art has been understood and interpreted through various philosophical lenses. Two significant theories that offer contrasting views are the Intuitionist Theory of Art and the Content Theory of Art. While the Intuitionist Theory emphasizes the role of internal perception or intuition in creating and […]

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Explain the concept of dhvani as an explanation of the mode of communication of the emotional content of the poem.

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Explain the Concept of Dhvani as an Explanation of the Mode of Communication of the Emotional Content of the Poem Introduction In Indian literary aesthetics, the concept of Dhvani plays a central role in understanding how poetry communicates its deeper emotional and aesthetic meanings. Developed by the scholar Anandavardhana in his seminal work Dhvanyaloka, Dhvani

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Sringara Rasa

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Sringara Rasa Introduction Sringara Rasa is considered the king of all rasas (aesthetic flavors) in Indian classical aesthetics. It primarily relates to love and beauty and is associated with emotional experiences of romance, charm, attraction, and devotion. Types and Elements Sringara is divided into two types: Vipralambha Sringara (love in separation) and Sambhoga Sringara (love

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Ancillary Feeling

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Ancillary Feeling Introduction The concept of “Ancillary Feeling” is a significant contribution to the field of aesthetics, particularly within the context of Indian aesthetic theory. The term refers to secondary or supporting emotions that accompany the main aesthetic emotion (rasa) in a dramatic or literary presentation. Meaning and Role Ancillary feelings, also known as “Vyabhichari

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Idea of Sympathy in Edmund Burke’s Philosophy

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Idea of Sympathy in Edmund Burke’s Philosophy Introduction Edmund Burke, the 18th-century political philosopher and aesthetic thinker, explored the idea of sympathy as part of his broader reflections on human emotions and aesthetics. In his early work, “A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful,” Burke elaborates on how

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Sahrdaya

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Sahrdaya Introduction In Indian aesthetics, particularly in the theory of Rasa (aesthetic flavor), the concept of Sahrdaya plays a crucial role. The term ‘Sahrdaya’ literally means ‘of the same heart’ and refers to a sensitive and cultured audience member who is capable of fully experiencing the aesthetic essence of an artwork or performance. Meaning and

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